不安
影片信息
- 状态：HD中字
- 主演：英格丽·褒曼/马蒂亚斯·维曼/雷娜特·曼哈特/
- 导演：罗伯托·罗西里尼/
- 年份：1954
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2024-02-21 03:20
- 简介： Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
- 535
-
关注公众号观影不迷路
-
扫一扫用手机访问
10.0
网友评分
122次评分
扫一扫用手机访问
剧情简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
为你推荐
换一换-
HD中字1.0 朱丽安·摩尔/蒂尔达·斯文顿/约翰·特托罗/亚历桑德罗·尼沃拉/胡安·迭戈·博托/薇姬·卢恩戈/玛丽娜·马修斯/劳尔·阿雷瓦洛/Anton/Antoniadis/Francesc/Tort/Sarah/Demeestere/汤姆·约翰逊/
-
HD8.0 川荣李奈/高杉真宙/矢本悠马/吉住/上杉柊平/织田梨沙/あかせあかり/古田新太/泷本美织/成海璃子/小手伸也/水野美纪/千叶雄大/吉田钢太郎/原菜乃华/渡边真起子/
-
HD中字6.0 川荣李奈/高杉真宙/矢本悠马/吉住/上杉柊平/织田梨沙/あかせあかり/古田新太/泷本美织/成海璃子/小手伸也/水野美纪/千叶雄大/吉田钢太郎/原菜乃华/渡边真起子/
-
第2集1.0 未知
-
HD7.0 罗杰夫/瑛法·瓦拉哈/彭沙功·麦塔立卡侬/哈里特·布阿约伊/
-
HD中字7.0 吉约姆·卡内/纳西姆·斯艾哈迈德/琪塔·昂罗/斯特芬·凯亚尔/亚历克西斯·曼蒂/约翰·海尔登贝格/艾蒂安·吉鲁-科文/贾梅尔·布利萨特/莫里斯·陈/
-
HD7.0 范塔茜娅·巴里诺/塔拉吉·P·汉森/丹妮尔·布鲁克斯/科尔曼·多明戈/科里·霍金斯/菲利西亚·珀尔·姆帕西/海莉·贝利/希亚拉/加布里埃拉·威尔森/大卫·艾兰·格里尔/德翁·科尔/乔纳森·巴蒂斯特/小路易斯·格赛特/塔梅拉·J·曼/安洁纽·艾莉丝-泰勒/伊丽莎白·玛维尔/斯蒂芬·希尔/阿德丁博·汤玛斯/蒂芙尼·艾丽·伯吉斯/泰伦斯·J·史密斯/
-
更新至第01集5.0 程治平/
-
HD中字2.0 松平健/西畑大吾/生濑胜久/高岛礼子/藤间爽子/小泽征悦/胜村政信/小野武彦/木村了/驹木根葵汰/内藤秀一郎/
-
第2集5.0 未知
-
HD7.0 西奥·乔尔比/埃尔旺·克波阿·法莱/莉拉·格诺//马蒂厄·珀罗托/Eddy/Suiveng/Kevin/Bago/泽维尔·玛利/蒂埃里·汉西斯/Mareme/N'Diaye/Kimia/Mvula/Rayane/El/Taani/Anthony/Cadot/伊科·扎克松戈/Zidane/Arabi/Mathieu/Espagnet/Igor/Kovalsky/Daouda/Baradji/Tofo/Perrier/Jad/Tamazirt/Kobe/Kimboo/
-
HD9.0 Junpei/Hashino/堀田真由/饭岛宽骑/
-
HD9.0 安娜玛丽亚·沃特鲁梅/马特·狄龙/朱塞佩·马吉奥/西莱丝特·布伦奎尔/伊万·阿达勒/玛丽·吉兰/安妮·苏亚雷斯/斯坦尼斯拉斯·莫哈/Jonathan/Couzinié/Mélissa/Barbaud/Capucine/Brunet/Arthur/Beaudoire/Arthur/Verret/Aurélie/Garault/Frédéric/Moulin/Edgar/Guille/Patrice/Tepasso/马斯·贝尔西托/Jérémy/Charvet/Alice/Suquet/
-
HD国语9.0 聂荣鑫/向佐/李欢/赵燕国彰/王双宝/侍宣如/闫妍/姜宝成/李高吉/邓琳/
-
HD中字1.0 永野芽郁/芳根京子/萩原利久/江口德子/稻垣吾郎/倍赏美津子/吉行和子/藤间爽子/丰岛花/富山绘里子/Nuno/Uraji/高桥努/白本彩奈/宫泽美保/
-
HD中字3.0 文祈/魏兆雄/李智/张世宏/
-
HD8.0 苏西·桑切斯/Gonzalo/Molina/Jimena/Lindo/ABRIL/GJURINOVIC/LUANA/VEGA/
-
HD8.0 米尔维·迪兹达尔/埃尔坎·贝克塔斯/阿西耶·丁索伊/Derya/Pinar/Ak/奥努尔·格尔凯/Mehmet/Küçük/Muttalip/Mujdeci/Hamit/Serdar/Ors/Ümmü/Putgül/Suna/Sancaktar/沙伊根·索伊萨尔/Ezgi/Sözmen/Atakan/Yilmaz/
-
HD国语7.0 未知
-
抢先版3.0 李梦/苏小玎/刘迅/海陆/赵樱子/薛元清/
-
HD1.0 笨蛋节奏/古田新太/中村伦也/原田泰造/梶原善/小雪/小手伸也/小松利昌/月岛琉衣/崎山翼/原菜乃华/
-
正片5.0 迈克尔·基顿/米拉·库尼斯/安迪·麦克道威尔/卡门·艾乔戈/劳拉·本纳蒂/凯文·波拉克/普娜·贾甘纳坦/迈克尔·尤瑞/维维恩·莱拉·布莱尔/尼科·希拉加/丹尼·德费拉里/迈克尔·基耶福/Liza/Treyger/Dominique/Star/Chander/Daya/诺亚·费舍尔/Ana/González/米歇尔·玛丽·贾克/多米尼克·培斯/香农·本斯顿/
-
更新至第03集6.0 未知
-
HD中字2.0 草笛光子/唐泽寿明/藤间爽子/中岛瑠菜/木村多江/真矢美纪/小田切让/清水美智子/LiLiCo/石田光/三谷幸喜/
-
HD国语5.0 彭禺厶/史元庭/杜奕衡/
-
HD6.0 李彩京/金度允/金惠娜/朴柱炫/郑雄仁/金汝珍/
-
HD中字4.0 王双宝/侍宣如/安泽豪/岳冬峰/
-
TC5.0 邱泽/郎月婷/李孝谦/邢佳栋/柯达/王道铁/董博睿/甘昀宸/尚馨/张风/雷淞然/王志鹏/
-
HD1.0 Don/Wilson/西尔维奥·西马克/杰姆斯·班尼特/
-
正片10.0 Kostiantyn/Temliak/Irma/Vitovska/Serhii/Kalantai/